Painting on the edge of incompetence

A phrase used by the American contemporary painter Alex Kanevsky, “painting on the edge of incompetence”, caught my eye. The idea is that if you’re working within your familiar bounds, you’re boring, not learning anything, and just producing widgets. If you’re painting outside your familiar bounds, you’re incompetent: almost by definition, you don’t know what you’re doing. But if you’re “painting on the edge of incompetence”, then you’re pushing your own boundaries, still having a bit of control but running the risk of having it crash and burn. And by definition, your boundaries just expanded … regardless of whether the painting is a success or failure. Sound advice methinks.

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Mumbles sunrise

This is a small 8 inch square oil painting of a recent winter sunrise over Mumbles Head and its lighthouse. I think this is the first sunrise – or sunset – that I have ever painted, which is perhaps surprising as it is the view I have from my studio window.

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Old trainers

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I discovered this drawing today whist rummaging through an old portfolio – an experience akin to bumping into an old friend I hadn’t seen in years. I reckon I made it about 25 years ago when such trainers were even then already falling short of the cutting-edge of fashion. It’s a detailed accurate rendering of what I saw in front of me and took several hours to complete. I don’t know that I would have the patience to do such work these days.

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Cathryn has seen better days!

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Another dinky 8-inch square oil-painting finished this morning. This is a rusting old hulk seen recently in Newlyn harbour, Cornwall. I’d rather paint old, rusting boats like this, which to my eyes have an individuality and character lacking in the newer, sleeker yachts in all their sparkling whiteness.

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Bathers, Tor Bay, Gower

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This 23cm square, oil painting has been hanging around the studio unfinished for several months. I decided it was time to complete it this week. For me it evokes memories of the glorious Gower summer of 2013 – very consoling given the stormy weather we are experiencing right now.

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One man and his boat

A second 8-inch square oil painting with a nautical theme finished this morning.

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Newlyn Fishing Boat (SOLD)

I completed this small, 8-inch square painting in one session yesterday from information I gathered on my recent trip to Cornwall – the first of a series of small paintings I intend making with a nautical theme.

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It’s a change of palette for me. I tend to use as few colours in a painting as I can get away with – often a triad of a particular hue of blue, yellow and red, pushing the inter-mixing as far as I can. In this small painting I also use a triad, but a different triad, and with the addition of black. I’ve used Old Holland magenta, blue and yellow and the lovely, velvety Mars Black from Winsor and Newton. I  like the way in which the intensity of the primaries react with a kind of mutual antagonism towards the black of the harbour wall.

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Swansea Art Society, Winter Exhibition

Swansea Art Society’s Winter Exhibition was opened this afternoon at St Mary’s Church in the centre of Swansea. It runs until Saturday 7 December. It is the first time I have exhibited with the Society and have two paintings on display:

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The first, Three Cliff Bay, Gower, 30 X 30 cm, oil on canvas is priced at £250.00;

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the second, Walkers in the Shadow of Rhossili Cliffs, Gower, 24 X 24cm, oil on canvas is priced at £180.00.

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Professional painter, Nick Holly, pictured above in front of my paintings, opened the exhibition. He was extremely complimentary about my work, and said he would like to see more with a view to hanging my paintings in his gallery. Excellent! It’s always good to get positive feedback, particularly from a high-profile artist such as Nick. (www.nickholly.com)

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St Ives School of Painting

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I’ve recently returned from a trip to St Ives, Cornwall – such a delightful town, even at this time of the year! Along with ten other students, I participated in a three-day course taught by Alice Mumford at St Ives School of Painting. The theme of the course was “Inside-Outside” and we painted still-life arrangements set up in front of a window. We tackled the problem of space – how to convincingly depict the interior still-life set against the backdrop of the window and the view outside. We discussed the use of warm and cool colours, light and dark tone, the sources of light, what should be in focus and what should be less sharp and less detailed, and so on. We looked at the work of Pierre Bonnard, Edouard Vuillard, Winifred Nicholson and other painters who have dealt successfully with this subject. The work we produced can be viewed at Steph Croydon’s site, canvasandthread.wordpress.com However, for my part, rather than the paintings I produced, the real value of this experience was meeting and working alongside a group of  interesting and like-minded people. Painting is essentially a solitary activity and from time to time I need the stimulus of a course such as this. A few days spent in good company in a beautiful setting with an enthusiastic and inspirational teacher!

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The photograph above is of Alice Mumford demonstrating. An exhibition of her work, entitled Silver Light, is currently on show at Piers Feetham Gallery, London (22 November – 21 December 2013).

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